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The loss of LimeWire has P2P pirates on the run.  (Source: Walt Disney)
But are pirates turning to YouTube and elsewhere

The NPD Group, a top market analytics research firm has released a new study [press release] that might surprise some.  It claims that in 2010 the rate of users who pirate content on peer-to-peer (P2P) networks dropped to 9 percent, down drastically from 16 percent reported in 2007.  This marks a dramatic reversal of the trend of increasing piracy rates in recent years.

The report argues that piracy is not a "fundamental" problem for the media industry, given the relatively low levels.  This stands in stark contrast to statements in the Digital Media Report 2010 [PDF] by the International Federation of the Phonographic Industry (IFPI), the parent organization of America's RIAA.  The IFPI stated in the report, "[The industry will] struggle to survive unless we address the fundamental problem of piracy."

Warner Music, a RIAA member takes a bit more conservative approach.  In a recent presentation to the U.S. Federal Communications Commission, Warner suggested that only 13 percent of Americans pirate.  The Warner report also offers some disclaimers about the harmful impact of pirates, stating that most pirates do spend money on content and that they "tend to drive high discovery for others".

The numbers from the NPD Group are admittedly slanted, though, due to a significant event in the industry.  They were taken from the final quarter of 2010, when the RIAA scored a major lawsuit win that forced the U.S.'s most popular P2P client, LimeWire, to cease distribution.  Thus the dip in P2P filesharing may be only temporary, due to the loss of one of the highest profile clients.

States Russ Crupnick, entertainment industry analyst for NPD, "Limewire was so popular for music file trading, and for so long, that its closure has had a powerful and immediate effect on the number of people downloading music files from peer-to-peer services and curtailed the amount being swapped. In the past, we've noted that hard-core peer-to-peer users would quickly move to other Web sites that offered illegal music file sharing. It will be interesting to see if services like Frostwire and Bittorrent take up the slack left by Limewire, or if peer-to-peer music downloaders instead move on to other modes of acquiring or listening to music."

Today, many of the most used clients are unofficial community releases of past P2P clients that were banned by lawsuits.  Examples include Kazaa Lite and WireShare (formerly LimeWire Pirate Edition), etc.  According to the NPD Group's data, FrostWire (traditional P2P) and uTorrent (Torrent P2P) increased in use, as well, in the wake of the Limewire shutdown.

While the study did consider BitTorrent traffic (a specialized P2P protocol), it did not consider new forms of illegal content distribution, such as one-click downloads, illegally streamed content, such as unauthorized posts to video sharing sites like YouTube.  The latter seems particularly prevalent, as you can go to YouTube and find virtually any song you can imagine -- mostly from unofficial user-submitted uploads (though the major label industry does maintain an official presence on the site via channels like Vevo).

Media organizations have tried unsuccessfully to sue YouTube's owner Google over such posts.  The television industry championed the biggest such case, when Viacom sued Google, demanding $1B USD in damages for pirated content hosted on YouTube.  The media giant's case fell apart, though, after it came out that Viacom employees uploaded content under fake screennames to make it look like infringed content.

The study also only surveyed those 13 and up.



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RE: Forget being a "fundamental" problem...
By Sivar on 3/24/2011 10:49:14 AM , Rating: 5
The standard response to a car/piracy analogy is that the owner of the hypothetical stereo loses his stereo. No one loses a song because it is copied any more than you lose your voice when someone repeats something you've said.


RE: Forget being a "fundamental" problem...
By Motoman on 3/24/2011 11:04:40 AM , Rating: 5
Exactly. That guy up there is a classic example of the stupidity spewed by people who buy into this BS.

Getting an illicit download of a song, for example, is a copy/paste function. Nothing was "taken" from anywhere, or anyone. Which is to say, the original person who owned it still owns it...it's no more a material transaction than me standing on a park bench and reciting the Gettysburg Address. The original address is still in a museum somewhere...neither the writer nor the owner of the address has suffered anything at all.

To compare it to the theft of a physical object is utter idiocy, and is truly indicative of the wild disconnect from reality suffered by all those who put the slightest bit of trust in the $ figures claimed by the industry/government for piracy "losses."


RE: Forget being a "fundamental" problem...
By Dorkyman on 3/24/2011 11:16:48 AM , Rating: 2
Agreed. The car analogy is baloney, because one object is tangible and the other intangible.

You steal a car, and the car's rightful owner loses the use of that car. You clone a song and the owner still has use of the song. The only "loss" is the revenue the owner would have gained had the thief purchased the song.

My own personal impression is that some songs would have been purchased, but not very many. My guestimate would put the number at 5% of the thief's personal collection. More than zero, agreed, but not by much.


By Hieyeck on 3/24/2011 11:47:54 AM , Rating: 5
Let them use their stolen car analogy.

If the car is stolen, the prior owner needs a new car. Prior owner buys a new car.

So to turn the analogy back, every time a song is stolen, a sale is generated! STEAL MORE SONGS, IT'LL HELP THE APPARENTLY FALTERING MUSIC INDUSTRY.


"So, I think the same thing of the music industry. They can't say that they're losing money, you know what I'm saying. They just probably don't have the same surplus that they had." -- Wu-Tang Clan founder RZA














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