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University IT departments baffled by sudden, inexplicable increase

Observers are reporting a large increase in the number of DMCA copyright notices sent to colleges by the RIAA, and institutions like Indiana University are reporting a “20-fold increase” – sometimes as many as 80 per day.

University administrators note that there has not been a recorded increase in file-sharing activity, and – unlike in the past – many of the RIAA’s notices don’t have any corresponding activity in university traffic logs.

“We are not sure [whether] what we have is an allegation of copyright infringement or an allegation of possible future illegal behavior,” said IU associate vice president of IT Mark Bruhn. “The whole thing is very concerning, to be frank. We don't know why they are doing this and I'm not sure they know what they are doing.”

The Chronicle for Higher Education reports similar increases from George Washington University, which is now seeing over 120 notices per week, up from the usual “five to 10.” Wired’s Threat Level confirmed a surge with the University of Chicago.

The RIAA, when questioned about the increase of letters and Indiana University’s findings regarding their accuracy, said there were no changes in its procedures. “We are always making an effort to more effectively and efficiently detect infringing activity on the Internet, as we are continuously  looking for ways to improve our ability to find and act on incidences of theft online. Having said that, there's been no change,” said RIAA spokeswoman Liz Kennedy. Follow-up inquiries, sent by Wired were not returned.

Some think the RIAA’s actions may be politically motivated: “Public universities are in a unique position since the industry puts pressure on us through state legislatures to try to impose what are widely considered to be draconian content monitoring measures and turn us into tech police forces in support of a specific industry,” said University of California at Berkeley CIO Shel Waggener.

The content industry is pushing initiatives that compel public schools to action after a threshold volume of notices is met, said Luker. Such legislation is currently working its way through a number of states, including Illinois and Tennessee.

“The number of DMCA notices that are sent to a university vary wildly from one day to the next, and no one, including the federal government knows how they send them out or what criteria they use,” said Luker. “It is not reasonable in any way to use those counts as a basis for government actions.”



Comments     Threshold


News flash!
By 306maxi on 5/2/2008 2:50:45 PM , Rating: 5
Record labels churn out more generic manufactered crappy music that people see no justification in buying therefore they continue to "steal" music because it's not worth buying.




RE: News flash!
By DEredita on 5/2/2008 3:02:54 PM , Rating: 3
Music has been pretty awful the last few years. I have started listening to BassDrive radio online, and loading the archived shows onto my Ipod. It's the only new stuff that I can find that is independent and enjoyable.


RE: News flash!
By TomCorelis (blog) on 5/2/2008 4:11:57 PM , Rating: 3
Big ups to a fellow junglist!

Regular BassDrive listener and aspiring/practicing producer/DJ here :-)


RE: News flash!
By herrdoktor330 on 5/2/2008 5:04:15 PM , Rating: 2
jungle massiv in the house!

Never listened to BassDrive, but long time Breakbeat Science shopper, ragga enthusiast, methbreaks listener, and DJ.

Drum'n'Bass fans love tech. And I'm going to start checking out BassDrive. Thanks guys!


RE: News flash!
By ShadowZERO on 5/3/2008 3:54:18 AM , Rating: 3
Make sure to tune in to Ben XO's weekly mix on Tuesday(3-6pm EST), he's got the best selection of exclusive tunes on Bassdrive IMO. Most of them are on the archive server, so its easy to check them out even if you can't catch them live.

My 2 favorite d'n'b artists right now are Ben Sage (myspace.com/bensagesucks) and Subsonik (myspace.com/subsonikone). Unfortunatly a lot of their really good stuff hasn't been released, but they keep their myspace page pretty stocked. Occasionally I speak with them on AIM and they give me access to their unreleased stuff, under strict conditions I don't share or give it out.

Be sure to support your Drum & Bass artists and labels! I would highly recommend the new Ben Sage album "How the Days Collide" available now on Amazon.com! Also, be sure to check out beatport.com and downloads.dogsonacid.com for high-quality wav and mp3 purchases.

Keep an eye on the aforementioned artists and sites for hot new material to be released in the near future. Keep the beats rollin', and remember...

BOH!!!


RE: News flash!
By TomCorelis (blog) on 5/3/2008 3:18:15 PM , Rating: 3
I spend way more money than I should on vinyl...


RE: News flash!
By ShadowZERO on 5/3/2008 4:39:42 PM , Rating: 2
Vinyl? ewwwww. Many DJs(and i'm not one, btw) feel that since thats how it started, there is no replacement for the original format for the music. However, some DJs are going all digital with Final Scratch.
From the wikipedia:
Final Scratch is a DJ tool created by the Dutch company N2IT with input from Richie Hawtin (aka Plastikman) and John Acquaviva that allows manipulation and playback of digital audio sources using traditional vinyl and turntables. It seeks to cross the divide between the versatility of digital audio and the tactile control of vinyl turntablism.

Not sure how it works exactly, but you can play wav and mp3 files from your comp using special timecoded vinyl, and never have to keep music on records again.


RE: News flash!
By TomCorelis (blog) on 5/4/2008 5:59:09 AM , Rating: 2
Drum&bass has a somewhat special history with vinyl, and a lot of the producers and DJs in that scene are more purists than some of the other electronic scenes. In any case, I've been enamored with the iconic "two turntables and a mixer" look for years now, and it's all been my dream to master that. I feel like I am disrespecting the genre, and the music, if I get my start on digital.

Don't get me wrong, I really want a Serato (digital standard in D&B scene, it's like Final Scratch) setup, but right now I am holding off on that for now. I want to learn things the correct way first... have you ever been to a party where the DJ looks like he's checking his email instead of rocking out to the tunes? It's hard to be showy when you're hunched over your laptop.

Beyond all that, there's a certain special something with vinyl. I felt it the first time I went to the local record shop and tried out their listening station, and I feel it every time I grab a record out of my crate and drop it on the plates. It's a certain closeness... a oneness, of sorts ... with your music. I don't get that feeling when I download the tunes off of Beatport, and I don't get that feeling when I pop a CD in my CD player.


RE: News flash!
By ShadowZERO on 5/4/2008 1:19:44 PM , Rating: 2
I keep in touch with some DJs from the London UK drum'n'bass scene(Ben XO, for example), where d'n'b first evolved from the "breakbeat hardcore" genre in the early 90s. Some of the DJs and producers living there are against the globalization of the genre, even having the arrogant attitude that since d'n'b started there, it remains "their" music.

This attitude also parallels the transition from vinyl to digital in some cases. The nice thing about Final Scratch, is that you are still using "two turntables and a mixer", and still dropping vinyl on your decks. The main difference is instead of digging through a record crate, you are pulling the tunes off your laptop.

Still, I understand where you are coming from. There is a unique experience to going to a record store, browsing the collection, and being able to meet and talk to others who are there for the same purpose. Also, thumbing through a vinyl crate, looking for that familiar sleeve with cool graphics on it, and dropping the needle on the exact spot you want to start from is totally different than loading files off your laptop.


RE: News flash!
By TomCorelis (blog) on 5/3/2008 3:19:03 PM , Rating: 2
Also, don't miss Method One's Vinyl and Circuity on Fridays. Australian Atmosphere on Mondays is also an excellent program.


RE: News flash!
By sporr on 5/4/2008 7:08:48 PM , Rating: 3
ez boys :)

Regular bassdrive listener too. check out jungletrain.net aswell. in fact, if you use winamp, goto your media library and click on Shoutcast Radio. From there I always enter "bass" into the search panel. just over a hundred dnb stations. about 20 or so are decent.

For mixes check http://www.dnb-sets.de/ (massive amount!)

Thankfully, it appears most drum n bass producers are signed to independant labels, far from the stranglehold of the likes of the RIAA and so on.

I hope it stays that way.


RE: News flash!
By kamel5547 on 5/2/2008 3:44:48 PM , Rating: 1
Uh yeah. This doesn't reallys tand up when you look at the wide range of things being pirated (pretty much every musical artist, movie, and video game). While I do not like the RIAA and think they got themselves into this mess(at least partially), I also don't think there ismuch excuse for blatant theft. Justifying theft doesn't change what it is, and unfortunately few people seem to understand that.

If it is not worth your money, why is it worth the effort of finding and downloading and listening to?


RE: News flash!
By Some1ne on 5/2/2008 4:30:07 PM , Rating: 5
quote:
Justifying theft doesn't change what it is, and unfortunately few people seem to understand that.


That's just it though. Downloading something is not theft in the traditional sense. If I go to a car dealership and steal one of their cars, I have deprived them of their ability to sell that car to someone who would actually pay money for it, by removing the physical instance of the car. Similarly, if I walk into a music store and steal a CD, I'm removing a physical instance of something from the store, and depriving its rightful owners of access to it.

However, if I had a magic machine that could produce an infinite number of identical copies of a car, at no cost, and I choose to use that machine to give free cars to anyone who happens to want one, I haven't stolen a damn thing (especially if I legitimately paid for the car that I use as the initial input to the machine). It may, as a consequence, cause fewer people to purchase cars from the dealership, but the dealership has not been deprived of a single physical instance of a car. It might also cause the designers of the original car that was used as input into the machine to feel a little bummed, but at the same time I'm sure enough of the people who now have free cars would be more than willing to buy T-shirts supporting their favorite design teams, or pay to see them give talks about designing automobiles, or hang out with them and give them sexual favors, and so on. Further, the increased availablity and attainability of cars would lead to broader appreciation and recognition of those cars that are truly well-designed enough to stand out from the rest.

So, downloading a copy of a file over the Internet is not theft in the traditional sense, because although I got something for nothing, I didn't deprive anybody of a damn thing in order to do it. That's the thing that it's unfortunate that so few people (or at least, so few company executives, politicians, judges, and lawmakers) seem to understand. In a few more decades, when the generation that grew up with the Internet is old enough to be deciding policy, it will likely be different, however.

quote:
If it is not worth your money, why is it worth the effort of finding and downloading and listening to?


I think the problem isn't that people don't think that music is worth their money, it's that they just think that (most) music isn't worth the quantity of their money that the record labels like to demand for it. The ability to copy something infinitely at no cost and with very little effort means that anything that isn't priced very close to its actual value isn't going to be purchased legitimately, and music is still generally overpriced.


RE: News flash!
By michal1980 on 5/2/08, Rating: -1
RE: News flash!
By mindless1 on 5/2/2008 5:38:14 PM , Rating: 4
No, "you" didn't necessarily "take" something. You have not deprived anyone of anything, except your ISP of some bandwidth you paid for, if/when you weren't going to buy it in the first place.

If it's crap, some will download it merely because they're bored, because it was free and their time must not be worth much.

Music companies are no different than anyone else. The consumer on the other hand is out to keep money. You are not depriving anyone of anything by not paying them, nobody can just do what they want for a living then demand and/or forcefully extract money from those who aren't willing to pay.

What will happen if piracy is wiped out 100% tomorrow? Do you think these college kids are suddenly going to start buying the content? Think again, the whole point was that with their limited income they can't afford to buy this stuff nor spend their time doing other things that cost money.

If anything they are more likely to increase value of content by making it seem more popular and thus, perceived more desirable.

The answer is real simple - if anyone thinks they're not getting paid enough they are free to choose another line of work, the same as everybody else, or to rethink their product and business model so they create new revenues.

The one thing that is for certain is that the old business model does not work anymore and no number of lawsuits will change that. Oversimplified ideas about theft, stealing, etc won't change it either. You ignore cause and only look at effect and that never works in the long term.


RE: News flash!
By croc on 5/2/2008 6:15:17 PM , Rating: 2
I won't buy a damned thing before I do some testing / tire kicking. If it isn't played on the radio, and my local CD shops won't let me do a preview, how do I do that???


RE: News flash!
By jconan on 5/2/2008 7:13:50 PM , Rating: 1
in the traditional sense if you're saying that people took something without paying for it, then it's not true because on a 1:1 relationship that other original must disappear before being considered taken. hence that would imply people should not be reading for information that would also be theft because they are taking knowledge saving bits and pieces of information into their cranium without paying for it. overall i think riaa has gone overboard and the society as a whole should rethink about the music industry as a whole. riaa will do anything to make profit even falsify ip or even claiming someone else's song as part of theirs if it wasn't. they also do not go out to find artists and compensate them even though claiming that they are protecting artists on their behalf. anyways this is a major societal issue that must be questioned is it right?

further if songs and intellectual property weren't copied and borrowed there wouldn't be improvements of songs. people would be listening to the same ol ballads. hypothetically like gunpowder would still be used for fireworks instead of as weapons of life.


RE: News flash!
By LatinMessiah on 5/2/2008 8:23:51 PM